Mega movie magic series#

Sometimes studio executives just donвЂ™t want to part with footage for long-term deals, Benz said.

Mega movie magic series#

Still, she was confident that the wrinkle would be just another tiny bump in the road for a series that proves getting cooperation from studios that normally push to get promotional footage on TV isnвЂ™t as easy as it might seem. вЂњThat seems to be a little stickler of a point right now.вЂќ вЂњWeвЂ™re still negotiating the amount of years,вЂќ said Verna, studying her office production schedule where вЂњFlubberвЂќ is pinned up on Week 7. So Verna dispatched a crew to Northern California to shoot Bertino peering through translucent gobs, explaining how he was inspired by a jar of styling mousse.Д«ut last week the filmвЂ™s star, Robin Williams, who must sign off on the deal, was still wavering over whether to agree to a five-year contract allowing GRB to use his image. GRB got a call months earlier from Tom Bertino at the famed effects shop Industrial Light & Magic, who said that the story behind вЂњFlubberвЂ™sвЂќ glowing title goo would make good television. Which is why Verna had a bit of the fidgets last week over loose ends that needed to be tied up before вЂњMegaвЂќ can air a minute or so of вЂњFlubberвЂќ from Walt Disney Productions. GRB President Gary Benz, who got his start in reality TV by producing stunt segments of ABCвЂ™s вЂњThatвЂ™s IncredibleвЂќ in 1980, found that the audience for the childrenвЂ™s show was ready-made.Д«ehind-the-scenes shows live only by getting off-the-reel action sequences from studios. GRB, which had produced 70 episodes of DiscoveryвЂ™s prime-time вЂњMovie MagicвЂќ series over five years, was told to concentrate on the childrenвЂ™s show.

The half-hour series drew healthy ratings and a CableAce nomination after the network introduced it last year to anchor Discovery Kids, a three-hour block of Sunday morning childrenвЂ™s programming.

вЂњMega Movie MagicвЂќ launched its new season Sunday by revealing how a remote-controlled robot and a computer-generated space battle were created in the NewLine Cinema production вЂњLost in Space.вЂќ Series producer Tracy Verna at GRB Entertainment sent a crew to London and Jim HensonвЂ™s Creature Shop to tape the segment. The series that pries behind the scenes to show young viewers how Hollywood creates its eye-popping special effects is back for its second season on Discovery Channel-delivering another round of real-life adventures and headaches for the programвЂ™s Studio City production company.